Over the past few days we’ve been looking at Song of Songs. In the introduction I explained there were six scenes in the song, and we have started to go through the first scene. I described this first scene as wooing, waiting and winning which describes the Shulammite woman and her quest to win Solomon’s heart. Last time around we left them on their first date, lying in the verdant grass, staring up at the fir trees above them.

2:1-2: And what does this do for the woman? It fills her with confidence: She was “darkened by the sun”, but now she is “a rose of Sharon, a lily of the valleys”. Men, we have a real responsibility for our girls. Because Solomon has accepted her for who she is, she has confidence in herself. And it gets better, because Solomon disagrees with her. You’re not a lily, he says to her. You’re the lily, “a lily among thorns”. Not very fair on the groupies, but he wants her to be confident that it’s only her. Even on this first date, and this very early stage, he wants her to know that she’s the only one for him. Remember: if your girl or boy is only a lily among lilies – then don’t go out together. Wait. A lily among thorns – that’s the right time.
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Over the next few weeks I plan to provide an overview of Song of Songs. The aim is a practical exposition which helps with the sticky questions of courtships and relationships before and during marriage. I guess in my mind that it’s aimed specifically at young people (after all, most of the events described seem to happen when Solomon and the Shulamite woman were quite young). Today, I’ll just give you an introduction.

For those not familiar with it, Song of Songs is a series of poems that tell the story of two lovers: Solomon, and a lady we call the Shulamite woman. The book is almost entirely their own words, though just occassionally a few others add their own thoughts. It was written by Solomon, and the events described took place around 965BC, nearly 3,000 years ago.

If you have an old translation of the Bible (particularly an AV), then Song of Songs is going to be very hard to read. Not because of the old-fashioned language, but because it will be very hard to work out who is saying what to whom. When the text said “Let him kiss me”, then we know that it must be the woman who is speaking (because she says ‘him’). But what about the next verse? “Your name is like perfume poured out”. In English it’s impossible to tell (though we can guess). But because the Hebrew language is more precise when it comes to gender, the original readers would be able to tell. That’s how modern translations are able to add these nice headings that explain who is speaking and make everything much clearer. The headings are not inspired though, so occassionally they could be wrong.
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